(Joyful Noise)Led by Wendy Eisenberg, the Massachusetts band’s third album explores communication challenges in an articulate and exhilarating rock fusionWhat would an alien satellite tell us if it could overcome the gulf of time, space and language? “Thirteen thousand years orbit Earth get mistaken for trash,” suggests Wendy Eisenberg, their cool, clear voice transforming compressed lyrics into a post-human plea for connection. It’s a sharp opening to a fresh, ferocious third album from Editrix – an experimental trio founded in Massachusetts’ DIY scene – which explores forms of frustrated, imbalanced communication via a musical language all their own.From rock’s foundations and various genres – blues, jazz, punk, prog, hardcore, indie, metal – Editrix carve a style that is articulate and crushingly exhilarating. With galloping interplay between Steve Cameron’s bass and Josh Daniel’s drums (which alternate between cavernous and deadened, sometimes as if he’s simply drumming his fingers on a plastic tabletop), the band fall in and out of togetherness; musical conversations begin, get interrupted and pick up somewhere new. Continue reading...