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The Guardian // Lifestyle

‘A split second of sheer terror – and we’re off’: Lucian Msamati on Waiting for Godot’s electrifying first night

Thursday 22nd January 2026, 5:00AM

The Gangs of London star returned to the stage alongside Ben Whishaw in a 2024 production of Samuel Beckett’s masterpiece. In this diary of the first preview, he describes passing the point of no returnI step into the wings and the state of it all hits me. The hum of a packed, expectant crowd ready for a show. I inch my way down along the short passage and there, standing in the cubbyhole space backstage like a beautiful lost waif, is Ben Whishaw. It hits me how different he looks in full costume. We lock eyes and hug. We hold each other for a few moments, trying to breathe in sync and to connect. We can both feel the adrenaline pumping and rushing through each other. A final squeeze and I turn away and walk back to the edge of the wings where we are to make our entrance.My breathing is steady, but my heart is pump-pump-pumping. This is as close as I get to full-on nervous. I am not afraid though. It’s excitement; anticipation; a sexy, knowing thrill. I know there will be a split second of sheer terror when the call comes though. The moment you know you’re past the point of no return. That thought-memory passes through with the next inhale-exhale. It’s as if I can feel the giddy heat coming off the crowd even back here in the wings, behind the soon-gone shelter of a curtain, feet away from where Vladimir and Estragon will come to life. It’s new and familiar all at once. Continue reading...

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