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The Guardian // Entertainment // Music

Sleaford Mods: The Demise of Planet X review – vulnerability and versatility widen potty-mouthed appeal

Friday 16th January 2026, 8:00AM

(Rough Trade)The duo’s 13th album finds Jason Williamson as baffled and infuriated as ever at the state of the world, with help from some unexpected collaboratorsOver the course of a dozen albums, Jason Williamson (words) and Andrew Fearn (music) have journeyed from DIY to the album chart Top 5 by providing a gut-punchingly bleak and amusingly absurdist commentary on the financial crash, austerity, Brexit and the rise of the far right. On their 13th LP, Williamson again convinces in the role of a potty-mouthed bystander, baffled and infuriated by what goes on around him, whether empty lives in the digital age (“Weights and wanking / Hard bodies and phone lights / That’s all we got”), Trump’s US (“Maga’s off their tits”) or minor daily irritants: “Lazy dog walkers on short walks, mate, wanker!”However, developments here should gently broaden their appeal. Williamson displays a welcome new vulnerability on the harrowing Gina Was, about a childhood incident. Meanwhile, Fearn is subtly developing his production, venturing beyond electro-punk to use classical strings on Double Diamond and a broader range of collaborators. The combination of Willliamson, Game of Thrones actor Gwendoline Christie’s furious rap and Big Special’s David Bowie-ish crooning on The Good Life makes for one of the most hauntingly catchy things they’ve done. Continue reading...

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