A new exhibition celebrates 50 globetrotting women who traded parochial Australia for European modernity to create ‘subtly subversive’ artGet our weekend culture and lifestyle emailWhen Justine Kong Sing stepped off a steamship into Edwardian London, the Nundle-born daughter of a Chinese merchant could tell straight away she was a long way from Australia: amid the “roar and rush” of the city, no one seemed to notice her.“In the colonies, where foreigners are treated differently, an Oriental suffers keenly the mortification of being stared at, and often assaulted, because of his color!” she wrote in a widely published account. Continue reading...